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In companion with the exhibition: Jonathan Butt and Mernet Larsen
COOLANT SYSTEM by Alan Gilbert
It’s not heroic, it’s broken. It’s the silent trip between unspokens. We recognize the architecture but don’t name it. We take a place amid the holes resembling pink dots inside our fathers’ hearts. All the little words don’t even reach the doorbell.
Some people are awake in the middle of the night. Some are at the bathroom sink rinsing and spitting. There’s a PowerPoint presentation for just about anything, and a personalized ringtone to alert us when the war is calling—it’s the sound of beds being dragged across an orphanage floor.
The next ice age will fill the rivers with antifreeze. It’s the midway point of a sugar packet’s half-life, spoonfed in timelapse with porn made to order. I still briefly pause when I hear an airplane flying low. The police helicopters I’m more used to, as an ebbing river of concrete reveals a beach strewn with Mardi Gras necklaces hurled at the Superdome.
We change the sheets for the next set of guests. We live with contradictions. At a benefit for eating off plasma TVs, my gift bag contained a woman’s razor and chocolate-covered pretzels; yours was filled with Play-Doh and a snorkel. Initial programming includes episodes of Pimp My Ride for self-propelled cyborgs randomly chosen for modifications after fending off drunks swinging gravy ladles.
Donkeys do well in semi-arid desert. Manny or Mandy? Who will heal the healers? Someone smeared a label warning Do Not Ingest. Clouds move quickly ahead of the front and a rush to close the windows. Normally, I’d say it was a good thing we were home, where worn-out shoes are left curbside with the other paper and plastic recycling.
(Originally published in Late in the Antenna Fields [Futurepoem, 2011].)
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