by Yevgeniya Traps
Poem (For Frank O’Hara)
I am not a painter, I am a poet.
Nowadays all the painters are
poets. They caption and comment,
cajole text into layers, corral language
between color. Nowadays it is orange
and ORANGE, sardines and
SARDINES. And I am anxious.
I am neither. Maybe this poem
here needs a slash of magenta,
a flash of fantastic color
scurrying across the page, an image
of words and lines and meaning-
fullness.
I want to write poems filled with beauty
and truth all that rings true and lovely
but it feels late to make things new after all
Walking in Cemeteries
Late fall, J. and I would go cemetery
walking, reading out strange names in
morbid freeassociation, soundpoems
rooted in idle afternoons. Ah, youthful
restlessness! Ah, careless youth! Then it
was mere presentiment, an idea. We might
die, yes, but it was hard to believe as
anything other than an image in a poem
by Gerard Manley Hopkins. This is what
I am trying to say: we were not grieving.
Everything added up, even when it did
not. Death was only a word and nothing
more, a scene in a novel, tearstained,
inchoate. The thing that happened to Sylvia
Plath, head in the oven, the sort of choice
no one would make threading through
neat rows, plaques marking the passing
of days and seasons and other lives.
On Tracey Emin’s Drawings (Selected Titles)
First: Illustrations from memory. Another example:
Something thing I am—some things I’m not. Yes, Mrs.
Edwards we wish you were dead. Oh, I am sorry, if I
Could just go back and start again. If I could go back
To remembering 78. She looked like a Turkish Film
Star. I loved her, I thought. MAD Tracey from
MARGATE. She was tied to a pole. And it was
as if she were saying No-No-No-No-No, MAD
Lear from BRITAIN. Nothing going to change my world,
is what she said. And: La La La La La. Ah yes:
Describe myself in less than 20 words. Here we go:
Sometimes the City Feels Strange. There’s different ways
to feeling fucked. No it’s not glamorous, it hurts. Me
Dancing. But: Not just me. No. Not just you.
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